Matthew Ball
TiSe i---
Adaptive
Status: Peer Reviewed
Calin Copil - October 17, 2024
Last Edited: October 17, 2024
Contributors: Juan E. Sandoval , Calin Copil , Ash Rose , Peter J. Foy , Ahmad Aldroubi
Matthew Ball is a British ballet dancer, renowned for his role as a principal dancer at The Royal Ballet in London. Born in 1993, Ball trained at The Royal Ballet School and quickly rose through the ranks. Known for his athleticism, technical precision, and touching performances, he has captivated audiences in leading roles, including in classics like "Swan Lake" and "Romeo and Juliet."

ENERGETICS

J: Rigidity
20/35
P: Fluidity
6/35
Pe: Proactive Fluidity
12/35
Pi: Reactive Fluidity
8/35
Je: Proactive Rigidity
10/35
Ji: Reactive Rigidity
26/35
Pe Ji Je Pi 8 15 22 30

STYLES

Fi-Te: Candid
6/63
Ti-Fe: Measured
39/63
Ni-Se: Grounded
39/56
Ne-Si: Suspended
4/56
Alpha Beta Gamma Delta

EMOTIONS

Eu:
Eg:
FA:
6/21

SIGNAL DATA

Judgment

R-1 Rigid Posture:
7/7
R-2 Body Centric:
7/7
R-3 Punctuated Motions:
2/7
R-4 Vertical Movements:
2/7
R-5 Subordinate Fluidity:
2/7

Je Articulator

PR-1 Head Pushes:
2/7
PR-2 Head Shakes:
2/7
PR-3 Shoulder Shrugs:
PR-4 Fluent Articulation:
4/7
PR-5 Projecting Hands:
2/7

Ji Compass

RR-1 Poised Receding:
4/7
RR-2 Disengaging Eyes:
7/7
RR-3 Exerted Pushes:
4/7
RR-4 Momentum Halting:
4/7
RR-5 Meticulous Hands:
7/7

Perception

F-1 Fluid Posture:
F-2 Eye Centric:
2/7
F-3 Gliding Motions:
2/7
F-4 Horizontal Movements:
2/7
F-5 Subordinate Rigidity:

Pe Explorer

PF-1 Restless Momentum:
2/7
PF-2 Toggling Eyes:
4/7
PF-3 Body Swaying:
2/7
PF-4 Casual Hands:
2/7
PF-5 Alert Perk-ups:
2/7

Pi Worldview

RF-1 Viscous Inertia:
RF-2 Fixed Gaze:
2/7
RF-3 Diagonal Eye-Drifts:
2/7
RF-4 Searching Scowling:
2/7
RF-5 Narrow Head Zoning:
2/7

Fi/Te

Ca-1 Taut Nasolabial Area:
2/7
Ca-2 Vertical Snarling Smiles:
Ca-3 Four Point Pulling:
2/7
Ca-4 Wobbling Lips:
2/7
Ca-5 Asymmetrical Smirks:
Ca-6 Sassy Movements:
Ca-7 Plateau Velocity:
Ca-8 Nasal-Breathy Voice:
Ca-9 Grasping Hands:

Ni/Se

Gr-1 Taut Preseptal Area:
2/7
Gr-2 Lax Pretarsal Area:
7/7
Gr-3 Taut Outer Edges:
7/7
Gr-4 Intense Scowling:
4/7
Gr-5 Pointed Eye Toggles:
4/7
Gr-6 Eye-Head Parallel Motion:
7/7
Gr-7 Grounding Effect:
4/7
Gr-8 Bodily Awareness:
4/7

Ti/Fe

Ms-1 Lax Nasolabial Area:
2/7
Ms-2 Horizontal Curtain Smiles:
7/7
Ms-3 Two Point Pulling:
7/7
Ms-4 Symmetrical Lips:
4/7
Ms-5 Emotional Neutralization:
7/7
Ms-6 Coordinated Movements:
2/7
Ms-7 Parabolic Velocity:
4/7
Ms-8 Laryngeal-Faint Voice:
4/7
Ms-9 Puppeteer Hands:
2/7

Ne/Si

Su-1 Lax Preseptal Area:
Su-2 Taut Pretarsal Area:
2/7
Su-3 Lax Outer Edges:
Su-4 Concerned Scowling:
Su-5 Brushstrokes Eye Toggles:
2/7
Su-6 Eye-Head Trailing Motions:
Su-7 Levity Effect:
Su-8 Quirky Skits:

Unguarded

Eu-1 Responsive Nodding:
2/7
Eu-2 Polite Smiling:
4/7
Eu-3 Bashful Body Movements:

Guarded

Eg-1 Upset Mouth Tension:
Eg-2 Assertive Pushing:
Eg-3 Stern Expressions:

Fallen Affect

FA-1 Fallen Affect: