Richard Ayoade
FeSi i-ii
Adaptive
Status: Pending
Peter Foy - May 25, 2024
Last Edited: May 25, 2024
Contributors: Peter J. Foy
Richard Ayoade is a British comedian, actor, writer, and director known for his quirky sense of humor and distinctive style. His multifaceted career includes starring in The IT Crowd, directing indie films like Submarine and The Double, hosting the TV show Travel Man, and writing funny books about his love of film. His work often explores themes of social awkwardness and existentialism, with his humor highlighting the absurdity and relativity of social norms earning him acclaim for his unique comedic perspective and offbeat storytelling.

ENERGETICS

J: Rigidity
32/35
P: Fluidity
10/35
Pe: Proactive Fluidity
22/35
Pi: Reactive Fluidity
8/35
Je: Proactive Rigidity
29/35
Ji: Reactive Rigidity
25/35
Pe Ji Je Pi 8 15 22 30

STYLES

Fi-Te: Candid
8/63
Ti-Fe: Measured
54/63
Ni-Se: Grounded
6/56
Ne-Si: Suspended
27/56
Alpha Beta Gamma Delta

EMOTIONS

Eu:
Eg:
FA:
10/21
4/21

SIGNAL DATA

Judgment

R-1 Rigid Posture:
7/7
R-2 Body Centric:
7/7
R-3 Punctuated Motions:
7/7
R-4 Vertical Movements:
7/7
R-5 Subordinate Fluidity:
4/7

Je Articulator

PR-1 Head Pushes:
7/7
PR-2 Head Shakes:
7/7
PR-3 Shoulder Shrugs:
4/7
PR-4 Fluent Articulation:
4/7
PR-5 Projecting Hands:
7/7

Ji Compass

RR-1 Poised Receding:
7/7
RR-2 Disengaging Eyes:
7/7
RR-3 Exerted Pushes:
2/7
RR-4 Momentum Halting:
2/7
RR-5 Meticulous Hands:
7/7

Perception

F-1 Fluid Posture:
2/7
F-2 Eye Centric:
F-3 Gliding Motions:
2/7
F-4 Horizontal Movements:
4/7
F-5 Subordinate Rigidity:
2/7

Pe Explorer

PF-1 Restless Momentum:
PF-2 Toggling Eyes:
4/7
PF-3 Body Swaying:
7/7
PF-4 Casual Hands:
7/7
PF-5 Alert Perk-ups:
4/7

Pi Worldview

RF-1 Viscous Inertia:
2/7
RF-2 Fixed Gaze:
2/7
RF-3 Diagonal Eye-Drifts:
2/7
RF-4 Searching Scowling:
2/7
RF-5 Narrow Head Zoning:

Fi/Te

Ca-1 Taut Nasolabial Area:
Ca-2 Vertical Snarling Smiles:
Ca-3 Four Point Pulling:
Ca-4 Wobbling Lips:
2/7
Ca-5 Asymmetrical Smirks:
2/7
Ca-6 Sassy Movements:
2/7
Ca-7 Plateau Velocity:
2/7
Ca-8 Nasal-Breathy Voice:
Ca-9 Grasping Hands:

Ni/Se

Gr-1 Taut Preseptal Area:
2/7
Gr-2 Lax Pretarsal Area:
Gr-3 Taut Outer Edges:
Gr-4 Intense Scowling:
2/7
Gr-5 Pointed Eye Toggles:
Gr-6 Eye-Head Parallel Motion:
Gr-7 Grounding Effect:
Gr-8 Bodily Awareness:
2/7

Ti/Fe

Ms-1 Lax Nasolabial Area:
7/7
Ms-2 Horizontal Curtain Smiles:
4/7
Ms-3 Two Point Pulling:
4/7
Ms-4 Symmetrical Lips:
7/7
Ms-5 Emotional Neutralization:
4/7
Ms-6 Coordinated Movements:
7/7
Ms-7 Parabolic Velocity:
7/7
Ms-8 Diaphragm-Faint Voice:
7/7
Ms-9 Puppeteer Hands:
7/7

Ne/Si

Su-1 Lax Preseptal Area:
4/7
Su-2 Taut Pretarsal Area:
4/7
Su-3 Lax Outer Edges:
7/7
Su-4 Concerned Scowling:
4/7
Su-5 Brushstrokes Eye Toggles:
4/7
Su-6 Eye-Head Trailing Motions:
2/7
Su-7 Levity Effect:
Su-8 Quirky Skits:
2/7

Unguarded

Eu-1 Responsive Nodding:
4/7
Eu-2 Polite Smiling:
4/7
Eu-3 Bashful Body Movements:
2/7

Guarded

Eg-1 Upset Mouth Tension:
2/7
Eg-2 Assertive Pushing:
Eg-3 Stern Expressions:
2/7

Fallen Affect

FA-1 Fallen Affect:

DEMOGRAPHICS

Sex
Male
Birth Date
1970s
Geography
Western Europe
Ethnicity
Black/African

SIMILAR PEOPLE

Rosario Dawson
Rosario Dawson
FeSi i-ii
Fanny Ardant
Fanny Ardant
FeSi i-ii
Catherine O
Catherine O'Hara
FeSi i-ii
Jordan Peele
Jordan Peele
FeNi iiii
Kate McKinnon
Kate McKinnon
FeSi i-i-

QUOTES

Quote
“I don’t know how to be myself. It’s like I’m permanently outside myself. Like, you could push your hands straight through me if you wanted to. And I can see the type of man I want to be versus the type of man I actually am and I know that I’m doing it but I’m incapable of what needs to be done. I’m like Pinocchio, a wooden boy. Not a real boy. And it kills me.”
Quote
“So I’ve tried to make this book as dense as possible, like a neutron star. And if you think I came up with that simile by googling ‘What stuff is most dense?’, you’d be wrong. I already knew neutron stars were maybe dense before I googled it to make sure.”
Quote
“Cinema helps us to remember that although we all have the right to shine, some of us must shine in the background, out of focus, and not too brightly.”

ERROR MARGIN

J Signal Mixing
Low
P Signal Mixing
Low