Helen Swift
Status: Pending
Juan E. Sandoval - July 15, 2023
Last Edited: July 15, 2023
Contributors: Juan E. Sandoval
Helen J. Swift is a Professor of Medieval French Studies and an Eleanor Boyle Fellow in French and EDI Fellow at St Hilda's College, Oxford University. Her interdisciplinary research spans the late medieval and early modern periods, with a focus on vernacular literature, history of the book, and visual studies of text-image relationships. Notably, her second book on identity construction and narrative voice in late medieval France was highly commended for the Society for French Studies R. Gapper Prize in 2017. In addition to her individual research, Professor Swift has contributed to various collaborative projects and held key roles in convening interdisciplinary programs at Oxford.

ENERGETICS

J: Rigidity
2/35
P: Fluidity
10/35
Pe: Proactive Fluidity
8/35
Pi: Reactive Fluidity
18/35
Je: Proactive Rigidity
17/35
Ji: Reactive Rigidity
6/35
Pe Ji Je Pi 8 15 22 30

STYLES

Fi-Te: Candid
38/63
Ti-Fe: Measured
Ni-Se: Grounded
6/56
Ne-Si: Suspended
15/56
Alpha Beta Gamma Delta

EMOTIONS

Eu:
Eg:
FA:
2/21
4/21

SIGNAL DATA

Judgment

R-1 Rigid Posture:
R-2 Body Centric:
R-3 Punctuated Motions:
2/7
R-4 Vertical Movements:
R-5 Subordinate Fluidity:

Je Articulator

PR-1 Head Pushes:
7/7
PR-2 Head Shakes:
4/7
PR-3 Shoulder Shrugs:
2/7
PR-4 Fluent Articulation:
4/7
PR-5 Projecting Hands:

Ji Compass

RR-1 Poised Receding:
2/7
RR-2 Disengaging Eyes:
RR-3 Exerted Pushes:
RR-4 Momentum Halting:
RR-5 Meticulous Hands:
4/7

Perception

F-1 Fluid Posture:
F-2 Eye Centric:
4/7
F-3 Gliding Motions:
4/7
F-4 Horizontal Movements:
F-5 Subordinate Rigidity:
2/7

Pe Explorer

PF-1 Restless Momentum:
2/7
PF-2 Toggling Eyes:
PF-3 Body Swaying:
4/7
PF-4 Casual Hands:
PF-5 Alert Perk-ups:
2/7

Pi Worldview

RF-1 Viscous Inertia:
2/7
RF-2 Fixed Gaze:
7/7
RF-3 Diagonal Eye-Drifts:
RF-4 Searching Scowling:
2/7
RF-5 Narrow Head Zoning:
7/7

Fi/Te

Ca-1 Taut Nasolabial Area:
4/7
Ca-2 Vertical Snarling Smiles:
4/7
Ca-3 Four Point Pulling:
7/7
Ca-4 Wobbling Lips:
7/7
Ca-5 Asymmetrical Smirks:
Ca-6 Sassy Movements:
7/7
Ca-7 Plateau Velocity:
7/7
Ca-8 Nasal-Breathy Voice:
2/7
Ca-9 Grasping Hands:

Ni/Se

Gr-1 Taut Preseptal Area:
4/7
Gr-2 Lax Pretarsal Area:
Gr-3 Taut Outer Edges:
2/7
Gr-4 Intense Scowling:
Gr-5 Pointed Eye Toggles:
Gr-6 Eye-Head Parallel Motion:
Gr-7 Grounding Effect:
Gr-8 Bodily Awareness:

Ti/Fe

Ms-1 Lax Nasolabial Area:
Ms-2 Horizontal Curtain Smiles:
Ms-3 Two Point Pulling:
Ms-4 Symmetrical Lips:
Ms-5 Emotional Neutralization:
Ms-6 Coordinated Movements:
Ms-7 Parabolic Velocity:
Ms-8 Diaphragm-Faint Voice:
Ms-9 Puppeteer Hands:

Ne/Si

Su-1 Lax Preseptal Area:
Su-2 Taut Pretarsal Area:
7/7
Su-3 Lax Outer Edges:
2/7
Su-4 Concerned Scowling:
2/7
Su-5 Brushstrokes Eye Toggles:
2/7
Su-6 Eye-Head Trailing Motions:
Su-7 Levity Effect:
2/7
Su-8 Quirky Skits:

Unguarded

Eu-1 Responsive Nodding:
Eu-2 Polite Smiling:
2/7
Eu-3 Bashful Body Movements:

Guarded

Eg-1 Upset Mouth Tension:
Eg-2 Assertive Pushing:
Eg-3 Stern Expressions:
4/7

Fallen Affect

FA-1 Fallen Affect:

DEMOGRAPHICS

Sex
Female
Birth Date
Unknown
Geography
Western Europe
Ethnicity
White/European

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Robert E. Kahn
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SiTe ii--
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NiFe ii--
Sara Seager
Sara Seager
SiTe i---
Peter Welch
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SiTe ii--
John Kerry
John Kerry
SiTe ii--

QUOTES

ERROR MARGIN

J Signal Mixing
Low
P Signal Mixing
Medium
Alternative
TeSi ll--