Nefeli Fasouli
NeTi iii-
Adaptive
Status: Pending
Peter Foy - November 29, 2025
Last Edited: August 1, 2026
Contributors: Peter J. Foy
Nefeli Fasouli (born 1995) is a Greek jazz vocalist and violinist celebrated for her luminous stage presence and genre‑blending sound. A Fulbright scholar at the New York Jazz Academy, she returned to Greece to form her Quintet, performing at major festivals and releasing acclaimed albums. Known for weaving Greek folk traditions into improvisational jazz, she embodies elegance, warmth, and cross‑cultural storytelling that bridges East and West.

ENERGETICS

J: Rigidity
6/35
P: Fluidity
24/35
Pe: Proactive Fluidity
23/35
Pi: Reactive Fluidity
2/35
Je: Proactive Rigidity
22/35
Ji: Reactive Rigidity
17/35
Pe Ji Je Pi 8 15 22 30

STYLES

Fi-Te: Candid
6/63
Ti-Fe: Measured
46/63
Ni-Se: Grounded
14/56
Ne-Si: Suspended
30/56
Alpha Beta Gamma Delta

EMOTIONS

Eu:
Eg:
FA:
16/21

SIGNAL DATA

Judgment

R-1 Rigid Posture:
4/7
R-2 Body Centric:
R-3 Punctuated Motions:
2/7
R-4 Vertical Movements:
R-5 Subordinate Fluidity:

Je Articulator

PR-1 Head Pushes:
7/7
PR-2 Head Shakes:
4/7
PR-3 Shoulder Shrugs:
2/7
PR-4 Fluent Articulation:
7/7
PR-5 Projecting Hands:
2/7

Ji Compass

RR-1 Poised Receding:
7/7
RR-2 Disengaging Eyes:
2/7
RR-3 Exerted Pushes:
2/7
RR-4 Momentum Halting:
2/7
RR-5 Meticulous Hands:
4/7

Perception

F-1 Fluid Posture:
7/7
F-2 Eye Centric:
4/7
F-3 Gliding Motions:
4/7
F-4 Horizontal Movements:
2/7
F-5 Subordinate Rigidity:
7/7

Pe Explorer

PF-1 Restless Momentum:
4/7
PF-2 Toggling Eyes:
4/7
PF-3 Body Swaying:
4/7
PF-4 Casual Hands:
7/7
PF-5 Alert Perk-ups:
4/7

Pi Worldview

RF-1 Viscous Inertia:
RF-2 Fixed Gaze:
RF-3 Diagonal Eye-Drifts:
2/7
RF-4 Searching Scowling:
RF-5 Narrow Head Zoning:

Fi/Te

Ca-1 Taut Nasolabial Area:
Ca-2 Vertical Snarling Smiles:
2/7
Ca-3 Four Point Pulling:
2/7
Ca-4 Wobbling Lips:
Ca-5 Asymmetrical Smirks:
Ca-6 Sassy Movements:
Ca-7 Plateau Velocity:
2/7
Ca-8 Nasal-Breathy Voice:
Ca-9 Grasping Hands:

Ni/Se

Gr-1 Taut Preseptal Area:
Gr-2 Lax Pretarsal Area:
2/7
Gr-3 Taut Outer Edges:
2/7
Gr-4 Intense Scowling:
Gr-5 Pointed Eye Toggles:
4/7
Gr-6 Eye-Head Parallel Motion:
2/7
Gr-7 Grounding Effect:
2/7
Gr-8 Bodily Awareness:
2/7

Ti/Fe

Ms-1 Lax Nasolabial Area:
7/7
Ms-2 Horizontal Curtain Smiles:
7/7
Ms-3 Two Point Pulling:
7/7
Ms-4 Symmetrical Lips:
7/7
Ms-5 Emotional Neutralization:
4/7
Ms-6 Coordinated Movements:
4/7
Ms-7 Parabolic Velocity:
4/7
Ms-8 Diaphragm-Faint Voice:
4/7
Ms-9 Puppeteer Hands:
2/7

Ne/Si

Su-1 Lax Preseptal Area:
7/7
Su-2 Taut Pretarsal Area:
7/7
Su-3 Lax Outer Edges:
2/7
Su-4 Concerned Scowling:
2/7
Su-5 Brushstrokes Eye Toggles:
4/7
Su-6 Eye-Head Trailing Motions:
2/7
Su-7 Levity Effect:
4/7
Su-8 Quirky Skits:
2/7

Unguarded

Eu-1 Responsive Nodding:
7/7
Eu-2 Polite Smiling:
7/7
Eu-3 Bashful Body Movements:
2/7

Guarded

Eg-1 Upset Mouth Tension:
Eg-2 Assertive Pushing:
Eg-3 Stern Expressions:

Fallen Affect

FA-1 Fallen Affect: