Richard Brody
Status: Pending
Nathaniel Vetter - January 23, 2023
Last Edited: March 10, 2024
Contributors: Peter J. Foy , Nathaniel D. Vetter
Richard Brody is a prominent film critic known for his insightful analyses and interpretations of cinema. As a staff writer at The New Yorker, he provides thoughtful reviews and commentary on a wide range of films, from classics to contemporary releases. Brody's writing often delves into the cultural and societal implications of cinema, exploring themes such as identity, politics, and artistic expression. He is widely respected for his nuanced perspectives and deep understanding of film history and theory.

ENERGETICS

J: Rigidity
6/35
P: Fluidity
12/35
Pe: Proactive Fluidity
2/35
Pi: Reactive Fluidity
21/35
Je: Proactive Rigidity
16/35
Ji: Reactive Rigidity
13/35
Pe Ji Je Pi 8 15 22 30

STYLES

Fi-Te: Candid
Ti-Fe: Measured
28/63
Ni-Se: Grounded
2/56
Ne-Si: Suspended
27/56
Alpha Beta Gamma Delta

EMOTIONS

Eu:
Eg:
FA:

SIGNAL DATA

Judgment

R-1 Rigid Posture:
4/7
R-2 Body Centric:
R-3 Punctuated Motions:
R-4 Vertical Movements:
2/7
R-5 Subordinate Fluidity:

Je Articulator

PR-1 Head Pushes:
4/7
PR-2 Head Shakes:
4/7
PR-3 Shoulder Shrugs:
PR-4 Fluent Articulation:
4/7
PR-5 Projecting Hands:
4/7

Ji Compass

RR-1 Poised Receding:
RR-2 Disengaging Eyes:
2/7
RR-3 Exerted Pushes:
RR-4 Momentum Halting:
7/7
RR-5 Meticulous Hands:
4/7

Perception

F-1 Fluid Posture:
2/7
F-2 Eye Centric:
4/7
F-3 Gliding Motions:
2/7
F-4 Horizontal Movements:
4/7
F-5 Subordinate Rigidity:

Pe Explorer

PF-1 Restless Momentum:
PF-2 Toggling Eyes:
PF-3 Body Swaying:
PF-4 Casual Hands:
PF-5 Alert Perk-ups:
2/7

Pi Worldview

RF-1 Viscous Inertia:
2/7
RF-2 Fixed Gaze:
7/7
RF-3 Diagonal Eye-Drifts:
4/7
RF-4 Searching Scowling:
4/7
RF-5 Narrow Head Zoning:
4/7

Fi/Te

Ca-1 Taut Nasolabial Area:
Ca-2 Vertical Snarling Smiles:
Ca-3 Four Point Pulling:
Ca-4 Wobbling Lips:
Ca-5 Asymmetrical Smirks:
Ca-6 Sassy Movements:
Ca-7 Plateau Velocity:
Ca-8 Nasal-Breathy Voice:
Ca-9 Grasping Hands:

Ni/Se

Gr-1 Taut Preseptal Area:
Gr-2 Lax Pretarsal Area:
Gr-3 Taut Outer Edges:
Gr-4 Intense Scowling:
Gr-5 Pointed Eye Toggles:
2/7
Gr-6 Eye-Head Parallel Motion:
Gr-7 Grounding Effect:
Gr-8 Bodily Awareness:

Ti/Fe

Ms-1 Lax Nasolabial Area:
4/7
Ms-2 Horizontal Curtain Smiles:
4/7
Ms-3 Two Point Pulling:
4/7
Ms-4 Symmetrical Lips:
4/7
Ms-5 Emotional Neutralization:
2/7
Ms-6 Coordinated Movements:
4/7
Ms-7 Parabolic Velocity:
2/7
Ms-8 Diaphragm-Faint Voice:
4/7
Ms-9 Puppeteer Hands:

Ne/Si

Su-1 Lax Preseptal Area:
7/7
Su-2 Taut Pretarsal Area:
4/7
Su-3 Lax Outer Edges:
4/7
Su-4 Concerned Scowling:
2/7
Su-5 Brushstrokes Eye Toggles:
4/7
Su-6 Eye-Head Trailing Motions:
4/7
Su-7 Levity Effect:
2/7
Su-8 Quirky Skits:

Unguarded

Eu-1 Responsive Nodding:
Eu-2 Polite Smiling:
Eu-3 Bashful Body Movements:

Guarded

Eg-1 Upset Mouth Tension:
Eg-2 Assertive Pushing:
Eg-3 Stern Expressions:

Fallen Affect

FA-1 Fallen Affect:

SHADES

DEMOGRAPHICS

Sex
Male
Birth Date
1950s
Geography
North America
Ethnicity
Jewish

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SiFe ii--
Umberto Eco
Umberto Eco
SiFe ii--
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Ra Uru Hu
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Guido Tabellini
Guido Tabellini
SiFe ii--

QUOTES

Quote
American film critic who has written for The New Yorker since 1999.
Quote
Prior to becoming a film critic, he worked on documentaries and made several independent films.
Quote
In December 2014, he was made a Chevalier (Knight) in the Ordre des Arts et des Lettres for his pronounced contributions to popularizing French cinema in America
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