Director - Vultology

Bio:
David Fincher is a renowned American filmmaker known for his meticulous and visually striking style. He has directed critically acclaimed films such as "Seven," "Fight Club," "The Social Network," and "Gone Girl." Fincher's work often explores dark themes and complex characters, earning him numerous awards and nominations. He is also recognized for his contributions to television, including the hit series "House of Cards" and "Mindhunter."
Main Video URL: https://youtu.be/wxDjCyyfRNw
Video 2 URL: https://youtu.be/cPYsxM3_3t0
Video 3 URL: https://youtu.be/mlVsIqpMXIs
SiFe
II-I
Directive
Fallen Affect: 0
Main Report PDF: Vultology_Report_David Fincher (2)-b872ecd4
R1 Rigid Posture: Low
F1 Fluid Posture: Medium
R2 Face Centric: None
F2 Eye Centric: High
R3 Punctuated Motions: Medium
F3 Gliding Motions: Low
R4 Vertical Movements: Medium
F4 Horizontal Movements: Medium
R5 Subordinate Fluidity: Low
F5 Subordinate Rigidity: Medium
PF1 Restless Momentum: Low
RF1 Viscous Inertia: High
PF2 Toggling Eyes: Medium
RF2 Fixed Gaze: Medium
PF3 Body Swaying: Medium
RF3 Diagonal Eye-Drifts: Low
PF4 Casual Hands: High
RF4 Searching Scowling: Medium
PF5 Alert Perk-ups: Low
RF5 Narrow Head Zoning: High
PR1 Head Pushes: Medium
PR2 Head Shakes: Medium
PR3 Shoulder Shrugs: High
PR4 Fluent Articulation: Medium
PR5 Projecting Hands: Medium
Ms1 Lax Nasolabial Area: Medium
Ms2 Horizontal Curtain Smiles: High
Ms3 Two Point Pulling: Medium
Ca4 Wobbling Lips: Low
Ms4 Symmetrical Lips: High
Ca5 Asymmetrical Smirks: Low
Ms5 Emotional Neutralization: Medium
Ms6 Coordinated Movements: Medium
Ms8 Laryngeal-Faint Voice: Medium
Gr1 Taut Preseptal Area: Low
Su1 Lax Preseptal Area: Low
Su2 Taut Pretarsal Area: Medium
Gr3 Taut Outer Edges: Low
Su3 Lax Outer Edges: Medium
Su4 Concerned Scowling: Medium
Gr5 Pointed Eye Toggles: Low
Su5 Brushstrokes Eye Toggles: High
Gr6 Eye-Head Parallel Motion: Medium
Su6 Eye-Head Trailing Motions: Low
Gr7 Grounding Effect: Medium
Su7 Levity Effect: Medium
Gr8 Bodily Awareness: Low
Su8 Quirky Skits: Low
Eg2 Assertive Pushing: Low
Eg3 Stern Expressions: Low
Sex: Male
Birth Date: 1960s
Geography: North America
Ethnicity: White/European
Detail 1: American film director
Detail 2: His films are mostly psychological thrillers and biographical dramas.
Detail 3: He has received 40 nominations at the Academy Awards, including three for him as Best Director.
Detail 4: His films generally include low lighting, tracking shots, multiple plot twists, and emotionally visceral film scores.
Detail 5: He is known for his exacting/meticulous filmmaking style and has frequently been compared to Kubrick in how obsessive he can be regarding how many takes he shoots to get a scene up to his precise standards of quality.
Contributors: Calin Copil | Peter J. Foy | Nathaniel D. Vetter

Main Video URL: https://youtu.be/rcXIV9Y3ilc
NeTi
I-I-
Adaptive
Fallen Affect: 0
Main Report PDF: Vultology_Report_Ari Aster-114ce332
F1 Fluid Posture: High
F2 Eye Centric: High
F3 Gliding Motions: Low
F4 Horizontal Movements: Medium
F5 Subordinate Rigidity: Low
PF1 Restless Momentum: Medium
RF1 Viscous Inertia: Low
PF2 Toggling Eyes: Medium
RF2 Fixed Gaze: Medium
PF3 Body Swaying: Low
RF3 Diagonal Eye-Drifts: Medium
PF4 Casual Hands: High
PF5 Alert Perk-ups: Low
PR1 Head Pushes: Medium
PR2 Head Shakes: Medium
RR2 Disengaging Eyes: Low
PR3 Shoulder Shrugs: Low
PR4 Fluent Articulation: Low
RR4 Momentum Halting: High
PR5 Projecting Hands: Low
RR5 Meticulous Hands: Medium
Ca1 Taut Nasolabial Area: Low
Ms1 Lax Nasolabial Area: Medium
Ms2 Horizontal Curtain Smiles: Medium
Ms3 Two Point Pulling: Medium
Ca4 Wobbling Lips: Low
Ms4 Symmetrical Lips: High
Ms5 Emotional Neutralization: Medium
Ca6 Sassy Movements: Medium
Su1 Lax Preseptal Area: Medium
Su2 Taut Pretarsal Area: Medium
Su3 Lax Outer Edges: Medium
Su4 Concerned Scowling: Low
Su5 Brushstrokes Eye Toggles: Medium
Su6 Eye-Head Trailing Motions: Low
Eu2 Polite Smiling: Low
Sex: Male
Detail 1: American Director and Screenwriter
Detail 2: Appreciates and desires to direct more experimental/psychological films, such as Rosemary's Baby and The Cook, The Thief, His Wife & Her Lover. He cites these aforenoted films as two of his biggest inspirations.
Detail 3: He often makes films that are drawn directly from his experiences, traumas, relationships, and anxieties that he's accrued throughout his existence.

Main Video URL: https://youtu.be/wnbw4Lenzck
Video 2 URL: https://youtu.be/b62YWx8xy0w
Video 3 URL: https://youtu.be/3b4t7vSAKbQ
FiNe
II-I
Seelie
Fallen Affect: 0
Main Report PDF: Vultology_Report_Julia Ducournau (2)-05577dbf
R1 Rigid Posture: Medium
F1 Fluid Posture: Low
R2 Face Centric: Medium
R5 Subordinate Fluidity: Medium
PF1 Restless Momentum: Medium
PF2 Toggling Eyes: Medium
PF3 Body Swaying: Medium
PF4 Casual Hands: Medium
PF5 Alert Perk-ups: Low
PR1 Head Pushes: Medium
RR1 Poised Receding: Medium
PR2 Head Shakes: Medium
RR2 Disengaging Eyes: High
RR3 Exerted Pushes: Medium
PR4 Fluent Articulation: Medium
RR4 Momentum Halting: Low
PR5 Projecting Hands: Medium
RR5 Meticulous Hands: High
Ca1 Taut Nasolabial Area: High
Ca2 Vertical Snarling Smiles: High
Ca3 Four Point Pulling: High
Ca4 Wobbling Lips: Medium
Ca5 Asymmetrical Smirks: Low
Ca6 Sassy Movements: Low
Ca7 Plateau Velocity: Low
Ca8 Nasal-Breathy Voice: Low
Ca9 Grasping Hands: Medium
Su1 Lax Preseptal Area: Medium
Su2 Taut Pretarsal Area: High
Su3 Lax Outer Edges: Medium
Su4 Concerned Scowling: Medium
Gr6 Eye-Head Parallel Motion: Low
Su6 Eye-Head Trailing Motions: Low
Su7 Levity Effect: High
Gr8 Bodily Awareness: Low
Su8 Quirky Skits: Low
Eu1 Responsive Nodding: Medium
Eg1 Upset Mouth Tension: Low
Eu2 Polite Smiling: Low
Eg2 Assertive Pushing: Low
Eu3 Bashful Body Movements: Medium
Sex: Female
Detail 1: French Director and Screenwriter
Detail 2: She doesn't see herself as a pure horror director. Instead, she describes her films as a mash-up of drama, dark comedy, and body horror, respectively.
Detail 3: Doesn't like how female bodies are traditionally displayed in mainstream media. With her filmography, she aims to portray the more awkward or shocking elements of the female form and shift our perspectives away from mere objectification.

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