Jacques
NeTi i--i
Adaptive
Status: Pending
Peter Foy - July 6, 2023
Last Edited: April 11, 2025
Contributors: Calin Copil , Peter J. Foy
Jacques (real name Jacques Auberger) is a French music producer and performer known for his whimsical and philosophical approach to music and life. He explores various philosophical concepts and themes through his music, inviting listeners to engage with thought-provoking ideas. His music often raises questions about the nature of existence, consciousness, and the human experience. His imaginative mind and unique artistic vision have earned him a dedicated following worldwide.

ENERGETICS

J: Rigidity
P: Fluidity
29/35
Pe: Proactive Fluidity
29/35
Pi: Reactive Fluidity
15/35
Je: Proactive Rigidity
10/35
Ji: Reactive Rigidity
12/35
Pe Ji Je Pi 8 15 22 30

STYLES

Fi-Te: Candid
2/63
Ti-Fe: Measured
38/63
Ni-Se: Grounded
8/56
Ne-Si: Suspended
30/56
Alpha Beta Gamma Delta

EMOTIONS

Eu:
Eg:
FA:
11/21

SIGNAL DATA

Judgment

R-1 Rigid Posture:
R-2 Body Centric:
R-3 Punctuated Motions:
R-4 Vertical Movements:
R-5 Subordinate Fluidity:

Je Articulator

PR-1 Head Pushes:
PR-2 Head Shakes:
4/7
PR-3 Shoulder Shrugs:
PR-4 Fluent Articulation:
2/7
PR-5 Projecting Hands:
4/7

Ji Compass

RR-1 Poised Receding:
2/7
RR-2 Disengaging Eyes:
2/7
RR-3 Exerted Pushes:
4/7
RR-4 Momentum Halting:
2/7
RR-5 Meticulous Hands:
2/7

Perception

F-1 Fluid Posture:
7/7
F-2 Eye Centric:
7/7
F-3 Gliding Motions:
4/7
F-4 Horizontal Movements:
7/7
F-5 Subordinate Rigidity:
4/7

Pe Explorer

PF-1 Restless Momentum:
7/7
PF-2 Toggling Eyes:
7/7
PF-3 Body Swaying:
7/7
PF-4 Casual Hands:
4/7
PF-5 Alert Perk-ups:
4/7

Pi Worldview

RF-1 Viscous Inertia:
4/7
RF-2 Fixed Gaze:
2/7
RF-3 Diagonal Eye-Drifts:
7/7
RF-4 Searching Scowling:
RF-5 Narrow Head Zoning:
2/7

Fi/Te

Ca-1 Taut Nasolabial Area:
Ca-2 Vertical Snarling Smiles:
Ca-3 Four Point Pulling:
Ca-4 Wobbling Lips:
2/7
Ca-5 Asymmetrical Smirks:
Ca-6 Sassy Movements:
Ca-7 Plateau Velocity:
Ca-8 Nasal-Breathy Voice:
Ca-9 Grasping Hands:

Ni/Se

Gr-1 Taut Preseptal Area:
Gr-2 Lax Pretarsal Area:
Gr-3 Taut Outer Edges:
2/7
Gr-4 Intense Scowling:
Gr-5 Pointed Eye Toggles:
4/7
Gr-6 Eye-Head Parallel Motion:
2/7
Gr-7 Grounding Effect:
Gr-8 Bodily Awareness:

Ti/Fe

Ms-1 Lax Nasolabial Area:
7/7
Ms-2 Horizontal Curtain Smiles:
2/7
Ms-3 Two Point Pulling:
4/7
Ms-4 Symmetrical Lips:
7/7
Ms-5 Emotional Neutralization:
7/7
Ms-6 Coordinated Movements:
2/7
Ms-7 Parabolic Velocity:
7/7
Ms-8 Diaphragm-Faint Voice:
2/7
Ms-9 Puppeteer Hands:

Ne/Si

Su-1 Lax Preseptal Area:
7/7
Su-2 Taut Pretarsal Area:
7/7
Su-3 Lax Outer Edges:
2/7
Su-4 Concerned Scowling:
Su-5 Brushstrokes Eye Toggles:
2/7
Su-6 Eye-Head Trailing Motions:
4/7
Su-7 Levity Effect:
4/7
Su-8 Quirky Skits:
4/7

Unguarded

Eu-1 Responsive Nodding:
4/7
Eu-2 Polite Smiling:
7/7
Eu-3 Bashful Body Movements:

Guarded

Eg-1 Upset Mouth Tension:
Eg-2 Assertive Pushing:
Eg-3 Stern Expressions:

Fallen Affect

FA-1 Fallen Affect:

DEMOGRAPHICS

Sex
Male
Birth Date
1990s
Geography
Western Europe
Ethnicity
White/European

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QUOTES

Quote
I like the idea that any sound can turn into music once it's displayed in a musical context. It reminds me that every one can find his place in the world and I want my music to transmit this idea to people, people who maybe aren't so aware of such a thing.
Quote
I make music in order to share ideas, meet people, travel around the world, earn a living, and have fun. Music isn't the most important thing to me. It happened that music became my gateway, my path through which to do all this stuff; that's why I try to preserve it in my life. But believing that music is important isn't a mindset that leads me to compose good music. So, music? It's not so important.
Quote
In an ideal world, I wouldn't have to talk. I don't know, I feel like my words are insults to my thoughts. You know that feeling of not being able to put words on a dream you've had? Well, that's how I feel all the time!

ERROR MARGIN

J Signal Mixing
Low
P Signal Mixing
Low