Kevin Parker
SeTi ii--
Adaptive
Status: Pending
Peter Foy - September 14, 2023
Last Edited: November 17, 2024
Contributors: Peter J. Foy , Sierra Rose
Kevin Parker, the creative force behind Tame Impala, is an Australian musician celebrated for his innovative approach to alternative rock. Known for his psychedelic soundscapes and introspective lyrics, Parker's music explores themes of individualism and personal transformation. His artistry is characterized by a commitment to creativity and nonconformity. With a unique blend of aesthetics, his work offers listeners a multi-dimensional journey, tapping into the realms of consciousness and reality.

ENERGETICS

J: Rigidity
6/35
P: Fluidity
29/35
Pe: Proactive Fluidity
23/35
Pi: Reactive Fluidity
10/35
Je: Proactive Rigidity
10/35
Ji: Reactive Rigidity
17/35
Pe Ji Je Pi 8 15 22 30

STYLES

Fi-Te: Candid
14/63
Ti-Fe: Measured
26/63
Ni-Se: Grounded
48/56
Ne-Si: Suspended
8/56
Alpha Beta Gamma Delta

EMOTIONS

Eu:
Eg:
FA:
10/21
4/21

SIGNAL DATA

Judgment

R-1 Rigid Posture:
2/7
R-2 Body Centric:
2/7
R-3 Punctuated Motions:
2/7
R-4 Vertical Movements:
R-5 Subordinate Fluidity:

Je Articulator

PR-1 Head Pushes:
PR-2 Head Shakes:
2/7
PR-3 Shoulder Shrugs:
2/7
PR-4 Fluent Articulation:
4/7
PR-5 Projecting Hands:
2/7

Ji Compass

RR-1 Poised Receding:
7/7
RR-2 Disengaging Eyes:
4/7
RR-3 Exerted Pushes:
RR-4 Momentum Halting:
2/7
RR-5 Meticulous Hands:
4/7

Perception

F-1 Fluid Posture:
4/7
F-2 Eye Centric:
7/7
F-3 Gliding Motions:
4/7
F-4 Horizontal Movements:
7/7
F-5 Subordinate Rigidity:
7/7

Pe Explorer

PF-1 Restless Momentum:
4/7
PF-2 Toggling Eyes:
4/7
PF-3 Body Swaying:
7/7
PF-4 Casual Hands:
4/7
PF-5 Alert Perk-ups:
4/7

Pi Worldview

RF-1 Viscous Inertia:
2/7
RF-2 Fixed Gaze:
2/7
RF-3 Diagonal Eye-Drifts:
4/7
RF-4 Searching Scowling:
2/7
RF-5 Narrow Head Zoning:

Fi/Te

Ca-1 Taut Nasolabial Area:
Ca-2 Vertical Snarling Smiles:
Ca-3 Four Point Pulling:
2/7
Ca-4 Wobbling Lips:
2/7
Ca-5 Asymmetrical Smirks:
4/7
Ca-6 Sassy Movements:
4/7
Ca-7 Plateau Velocity:
2/7
Ca-8 Nasal-Breathy Voice:
Ca-9 Grasping Hands:

Ni/Se

Gr-1 Taut Preseptal Area:
7/7
Gr-2 Lax Pretarsal Area:
4/7
Gr-3 Taut Outer Edges:
7/7
Gr-4 Intense Scowling:
7/7
Gr-5 Pointed Eye Toggles:
2/7
Gr-6 Eye-Head Parallel Motion:
7/7
Gr-7 Grounding Effect:
7/7
Gr-8 Bodily Awareness:
7/7

Ti/Fe

Ms-1 Lax Nasolabial Area:
4/7
Ms-2 Horizontal Curtain Smiles:
4/7
Ms-3 Two Point Pulling:
2/7
Ms-4 Symmetrical Lips:
4/7
Ms-5 Emotional Neutralization:
4/7
Ms-6 Coordinated Movements:
2/7
Ms-7 Parabolic Velocity:
2/7
Ms-8 Diaphragm-Faint Voice:
4/7
Ms-9 Puppeteer Hands:

Ne/Si

Su-1 Lax Preseptal Area:
Su-2 Taut Pretarsal Area:
2/7
Su-3 Lax Outer Edges:
Su-4 Concerned Scowling:
Su-5 Brushstrokes Eye Toggles:
2/7
Su-6 Eye-Head Trailing Motions:
Su-7 Levity Effect:
2/7
Su-8 Quirky Skits:
2/7

Unguarded

Eu-1 Responsive Nodding:
4/7
Eu-2 Polite Smiling:
4/7
Eu-3 Bashful Body Movements:
2/7

Guarded

Eg-1 Upset Mouth Tension:
2/7
Eg-2 Assertive Pushing:
Eg-3 Stern Expressions:
2/7

Fallen Affect

FA-1 Fallen Affect:

DEMOGRAPHICS

Sex
Male
Birth Date
1980s
Geography
Australia/New Zeland
Ethnicity
White/European

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QUOTES

Quote
Nothing matches the sheer euphoria of discovering a new melody or a new batch of chords that just come out of nowhere.
Quote
At different times in life, I've felt like it's time to say goodbye from some form of myself that's been hanging around for a while - you just feel this urge to move on, like a herd of antelope. They're just standing there in a field eating grass. You feel like that as a person sometimes. Where's it's just time to move on
Quote
My personal life, my musical life, my life as an artist - almost everything has pointed all these little arrows that make up which way I go as a person and what I feel comfortable as my identity.

ERROR MARGIN

J Signal Mixing
Medium
P Signal Mixing
Low
Alternative
SeFi