Tilda Swinton
FeSi i--i
Directive
Status: Peer Reviewed
Peter Foy - November 24, 2023
Last Edited: July 13, 2024
Contributors: Juan E. Sandoval , Calin Copil , Ash Rose , Peter J. Foy
Tilda Swinton, born in London in 1960, is an award-winning actress known for her chameleon-like performances. With a career spanning decades, Swinton has garnered acclaim for her roles in films like "Orlando," "Michael Clayton," and "We Need to Talk About Kevin." Her collaboration with director Luca Guadagnino in films such as "I Am Love" and "A Bigger Splash" has further showcased her talent. Beyond acting, Swinton is recognized for her avant-garde style and artistic endeavors, including performance art. She has collaborated with artists, filmmakers, and photographers on different creative ventures. While not a traditional model, she is often celebrated for her distinctive androgynous style, which has made her a unique and influential figure in both the realms of cinema and art.

ENERGETICS

J: Rigidity
35/35
P: Fluidity
4/35
Pe: Proactive Fluidity
12/35
Pi: Reactive Fluidity
6/35
Je: Proactive Rigidity
27/35
Ji: Reactive Rigidity
27/35
Pe Ji Je Pi 8 15 22 30

STYLES

Fi-Te: Candid
8/63
Ti-Fe: Measured
38/63
Ni-Se: Grounded
23/56
Ne-Si: Suspended
25/56
Alpha Beta Gamma Delta

EMOTIONS

Eu:
Eg:
FA:
4/21
10/21
2/5

SIGNAL DATA

Judgment

R-1 Rigid Posture:
7/7
R-2 Body Centric:
7/7
R-3 Punctuated Motions:
7/7
R-4 Vertical Movements:
7/7
R-5 Subordinate Fluidity:
7/7

Je Articulator

PR-1 Head Pushes:
7/7
PR-2 Head Shakes:
7/7
PR-3 Shoulder Shrugs:
2/7
PR-4 Fluent Articulation:
4/7
PR-5 Projecting Hands:
7/7

Ji Compass

RR-1 Poised Receding:
7/7
RR-2 Disengaging Eyes:
7/7
RR-3 Exerted Pushes:
4/7
RR-4 Momentum Halting:
2/7
RR-5 Meticulous Hands:
7/7

Perception

F-1 Fluid Posture:
2/7
F-2 Eye Centric:
F-3 Gliding Motions:
2/7
F-4 Horizontal Movements:
F-5 Subordinate Rigidity:

Pe Explorer

PF-1 Restless Momentum:
PF-2 Toggling Eyes:
2/7
PF-3 Body Swaying:
4/7
PF-4 Casual Hands:
2/7
PF-5 Alert Perk-ups:
4/7

Pi Worldview

RF-1 Viscous Inertia:
RF-2 Fixed Gaze:
2/7
RF-3 Diagonal Eye-Drifts:
2/7
RF-4 Searching Scowling:
2/7
RF-5 Narrow Head Zoning:

Fi/Te

Ca-1 Taut Nasolabial Area:
2/7
Ca-2 Vertical Snarling Smiles:
Ca-3 Four Point Pulling:
2/7
Ca-4 Wobbling Lips:
2/7
Ca-5 Asymmetrical Smirks:
2/7
Ca-6 Sassy Movements:
Ca-7 Plateau Velocity:
Ca-8 Nasal-Breathy Voice:
Ca-9 Grasping Hands:

Ni/Se

Gr-1 Taut Preseptal Area:
2/7
Gr-2 Lax Pretarsal Area:
4/7
Gr-3 Taut Outer Edges:
7/7
Gr-4 Intense Scowling:
2/7
Gr-5 Pointed Eye Toggles:
4/7
Gr-6 Eye-Head Parallel Motion:
4/7
Gr-7 Grounding Effect:
Gr-8 Bodily Awareness:

Ti/Fe

Ms-1 Lax Nasolabial Area:
7/7
Ms-2 Horizontal Curtain Smiles:
4/7
Ms-3 Two Point Pulling:
4/7
Ms-4 Symmetrical Lips:
4/7
Ms-5 Emotional Neutralization:
4/7
Ms-6 Coordinated Movements:
2/7
Ms-7 Parabolic Velocity:
7/7
Ms-8 Laryngeal-Faint Voice:
4/7
Ms-9 Puppeteer Hands:
2/7

Ne/Si

Su-1 Lax Preseptal Area:
4/7
Su-2 Taut Pretarsal Area:
2/7
Su-3 Lax Outer Edges:
2/7
Su-4 Concerned Scowling:
7/7
Su-5 Brushstrokes Eye Toggles:
2/7
Su-6 Eye-Head Trailing Motions:
2/7
Su-7 Levity Effect:
4/7
Su-8 Quirky Skits:
2/7

Unguarded

Eu-1 Responsive Nodding:
2/7
Eu-2 Polite Smiling:
2/7
Eu-3 Bashful Body Movements:

Guarded

Eg-1 Upset Mouth Tension:
2/7
Eg-2 Assertive Pushing:
4/7
Eg-3 Stern Expressions:
4/7

Fallen Affect

FA-1 Fallen Affect:
2/5